Spring has finally arrived!
The sun has been shining brighter and warmer in the past few weeks, and as surely as it announces the approching spring, it also indicates the time where I switch from winter knits to summer knits.
Today I present to you my friends my Golden Afternoon sweater, made from Euroflax Sport yarn and using Carole Francone’s Clementine Pullover pattern.
I made a few mods that are detailed on my project page, but it mainly consists of adding length, switching out the 1×1 rib by brioche and adding some short row shaping to the bottom edge to create more dynamic lines featuring a longer back and a shorter front.
As much as I love the finished object and the motif used in this pattern, I must say that I am quite dissapointed by the way the pattern itself was written. It’s the first time this has ever happened to me, but I felt the pattern was… Incomplete. Or rushed. Let me explain a little more what I mean.
First of all, I felt the English version of the pattern needed a lot of polishing. The pattern designer is French so I understand well her struggles (my first language is french too) but there was still a lot of avoidable mistakes, both on structure and vocabulary, making the pattern hard to understand.
Also, I found the pattern was not providing enough details on the construction and shaping of the garment. The best example I can give you is about the waist shaping. The pattern says to keep both side markers to place increases and decreases, but do not provide any information as to how the waist shaping should be worked. It only says to “work them in pattern”, but there is no indication as to how to do that (especially when working an all over lace pattern), and no indication of how MANY increase or decrease rows there should be, or how many rows apart they need to be placed. This is one example, but I’ve noticed instructions (and finishing touches) were missing everywhere in the pattern, including at the separation of the sleeves and the transition from ribbing to lace and lace to ribbing. Somehow I feel like I should have just looked up the motif and wrote the pattern myself. Am I weird? Is it wrong of me to assume that when you pay 5 euros (7.44$ CAN) for a pattern, the designer should have done that part of the work for you? Having written some patterns myself, I would find it absolutely unacceptable to rely so heavily on the knitter to figure things out themselves after making them pay for a pattern.
I feel robbed. Have any of you experienced something like that before?
The last few weeks have been crazy busy for me, both at work and in my personal life, and in my book that generally means dealing with A LOT of stress. As a form of damage control and to let off some steam I’ve been trying to crunch a few minutes of knitting or spinning when I can to (somewhat) try to keep the stress under control. Fortunately for me, it’s been successful on two fronts; I’ve been able to keep stress on a manageable level and I’ve been making great progress on some super fun yarny projects, so yay!
The first thing I want to show you is my last spin, a fingering weight navajo plied yarn I just finished yesterday using some malabrigo nube I had in stash, in color “solis”. It’s 112 grams and 407 yards of yummy merino goodness, and I’m really excited to show it to you because it’s the first time I’ve plied a full skein using the navajo plying technique, I am so thrilled!
On the knitting front, I’ve also been making pretty good progress on my golden afternoon sweater, an all-over lace pattern called Clementine Pullover, from Carole Francone. I am not thrilled with the pattern, I’ll give you a full review once the sweater is done, but I must say that I absolutely LOVE the lace stitch. To make this the perfect summer top, I’m using some Euroflax Sport Weight yarn in color Goldenrod.