So many projects, so little time!! Last weekend, I finally finished a sweater that has been on the needles since May 2017 (ahem!..) and I’m so happy it finally came together! Not only is it another project I can check off the WIP list, but it’s also a really pretty and cozy sweater, right on time for the cold season.
The pattern is (of course!) Tin Can Knits’s beautiful Snowflake, and the yarn is some Berroco Folio yarn I had in stash in color “Raspberry coulis” and “tan”. Since I had only a couple skeins of each, I decided on a striped version of the sweater to maximize the use of every yard. I ended up using all but 3 grams of the tan and 13 grams of the purple. As always, all the details on the yardage, striping sequence and mods can be found on my project page so take a look at them there if you’re interested!
Now this is my second snowflake sweater, but I haven’t been able to wear the first one that I made 4 years ago at all recently because I’ve lost a lot of weight and the bottom half of the body has been incredibly loose and shapeless. I’m very happy to have this model on my sweater rotation again, but I’ll definitely have to do something about the older one at some point this winter.
I think it should be an easy fix, since I could probably just pick up stitches around the waist where it still fits, frog the bottom half and re-knit it with less hip increases (or none at all). Whatever I do, I’ll make sure to keep you posted on my sweater surgery, so wish me luck!
Now if you don’t mind I’ll go back to my needles, because I definitely got some catching up to do before the year is over!
Time goes by so fast! Christmas is right around the corner and I am so not ready! Are you? Admittedly, I should have been working on presents a bit more, but I really (REALLY!) wanted to give the last push needed to finish the Dessine-Moi Un Mouton sweater I started last year. And I did! Yay! And I’m super happy at how it turned out.
Secondly, as many people have said before me, I must say that this pattern is simply genius. It’s well designed with good play on color and texture, it’s got cutesy little details around the cuffs and the pattern is so well written and explained it’s just insane.
Like always I made a few mods, namely here added some (ok, a lot of!) length, and also changed the stripe sequence to make the most out of the “Have some wine” Cheshire Cat yarn gradient pack from Frabjous Fibers I bought a couple years back. Any otherwise, this sweater was a no-fuss kind of project, with no waist shaping and no neckband. As usual, you can check out all the details and yardage on my project page.
Now, back to my Holiday prep!
Earlier this month, I started a modified version of Dessine-Moi Un Mouton, a wonderfully textured sweater pattern written by La Maison Rililie. I didn’t have enough sport weight yarn on hand to make it but I had plenty of fingering weight yarn, including a soft and squishy gradient pack of Cheshire Cat yarn from Frabjous Fibers that I had been dying to use. Consequently, I decided to follow my instinct and cast on this sweater on a modified gauge using fingering weight yarn.
First, the Pretty. So far, this sweater looks (and fits) amazing. I worked a certain number of mods that are detailed on my project page, but basically other than the modified gauge, I changed the color sequence, made the body much longer and added some short row shaping around the back. Look at that!
Then, the Bad. As soon as the idea struck, I bought 2 skeins of Cascade Heritage yarn in color “snow” for this sweater before I had actually took time to read the pattern through – I foolishly believed that 2 skeins of Cascade Heritage would be more than enough for it (it’s 874 yards, folks!) but then, I realized that the color stripes were actually worked by alternating the main and contrasting colors every row. Oops.Turns out I don’t have enough to make the sleeves. Problem much?
Lastly, the Good. Luckily for me, Cascade Heritage is a readily available yarn; it’s nothing hard to put your hands on so I should without a doubt be able to find someone on Ravelry destashing it or, worst case scenario, buy another skein at my LYS. Since it’s such a light and natural color, I’m really not worried about the skeins not matching, plus the pattern alternates MC & CC so even if the color was a little off, it just wouldn’t show.
If all goes well, I should have a finished sweater to show you guys soon, so keep your fingers crossed! 🙂
The sun has been shining brighter and warmer in the past few weeks, and as surely as it announces the approching spring, it also indicates the time where I switch from winter knits to summer knits.
I made a few mods that are detailed on my project page, but it mainly consists of adding length, switching out the 1×1 rib by brioche and adding some short row shaping to the bottom edge to create more dynamic lines featuring a longer back and a shorter front.
As much as I love the finished object and the motif used in this pattern, I must say that I am quite dissapointed by the way the pattern itself was written. It’s the first time this has ever happened to me, but I felt the pattern was… Incomplete. Or rushed. Let me explain a little more what I mean.
First of all, I felt the English version of the pattern needed a lot of polishing. The pattern designer is French so I understand well her struggles (my first language is french too) but there was still a lot of avoidable mistakes, both on structure and vocabulary, making the pattern hard to understand.
Also, I found the pattern was not providing enough details on the construction and shaping of the garment. The best example I can give you is about the waist shaping. The pattern says to keep both side markers to place increases and decreases, but do not provide any information as to how the waist shaping should be worked. It only says to “work them in pattern”, but there is no indication as to how to do that (especially when working an all over lace pattern), and no indication of how MANY increase or decrease rows there should be, or how many rows apart they need to be placed. This is one example, but I’ve noticed instructions (and finishing touches) were missing everywhere in the pattern, including at the separation of the sleeves and the transition from ribbing to lace and lace to ribbing. Somehow I feel like I should have just looked up the motif and wrote the pattern myself. Am I weird? Is it wrong of me to assume that when you pay 5 euros (7.44$ CAN) for a pattern, the designer should have done that part of the work for you? Having written some patterns myself, I would find it absolutely unacceptable to rely so heavily on the knitter to figure things out themselves after making them pay for a pattern.
I feel robbed. Have any of you experienced something like that before?
The last few weeks have been crazy busy for me, both at work and in my personal life, and in my book that generally means dealing with A LOT of stress. As a form of damage control and to let off some steam I’ve been trying to crunch a few minutes of knitting or spinning when I can to (somewhat) try to keep the stress under control. Fortunately for me, it’s been successful on two fronts; I’ve been able to keep stress on a manageable level and I’ve been making great progress on some super fun yarny projects, so yay!
The first thing I want to show you is my last spin, a fingering weight navajo plied yarn I just finished yesterday using some malabrigo nube I had in stash, in color “solis”. It’s 112 grams and 407 yards of yummy merino goodness, and I’m really excited to show it to you because it’s the first time I’ve plied a full skein using the navajo plying technique, I am so thrilled!
On the knitting front, I’ve also been making pretty good progress on my golden afternoon sweater, an all-over lace pattern called Clementine Pullover, from Carole Francone. I am not thrilled with the pattern, I’ll give you a full review once the sweater is done, but I must say that I absolutely LOVE the lace stitch. To make this the perfect summer top, I’m using some Euroflax Sport Weight yarn in color Goldenrod.
I’ve been wanting to make myself a Camilla Pullover from Carrie Bostick Hoge for the longest time, but it seems like I always had too many things on the needles or couldn’t find the right timing. Let me tell you folks, it finally happened in February. Yes, I now have made myself a gorgeously fuzzy, fun and comfortable Camilla Pullover out of some Patons Classic Wool Roving yarn in the Low Tide colorway. Yay!
Let me tell you guys though that although I loved every stitch of this beauty, I struggled quite a bit throughout the process, and for all the wrong reasons, too.
The story starts back in 2013 when I bought 4 skeins of this yarn, not knowing yet what I wanted to do with it. A little while after, I fell madly in love with this gorgeous, gorgeous Camilla pullover pattern and thought it would be a match made in heaven with the yarn I had so I got really excited, until I realized I didn’t have enough yardage to do it. I tried convincing myself for months (if not years) that I could simply make the pattern work with a different yarn (after all it was not even the right weight!) but I simply couldn’t get it out of my head – I’m stubborn like that sometimes.
I looked at every local yarn store but couldn’t find the same yarn in this color anymore, the only option was to purchase it online on Joann’s website. So after a little while, since that project had been haunting me for a long time, I decided to finally order a couple skeins of it so I could reach the required yardage and start the project. Since it’s a commercially produced yarn, I was sort of hoping the color would be a close match to the one I had in stash because there was just no way I could find skeins of the same dyelot, but when I got them, I realized the new skeins were significantly lighter than the ones I had. Sigh.
Now had I been wiser (or just less eager to start), I simply could have waited to get the new skeins to start and then alternate old and new skeins throughout to make the color difference disappear – but I totally didn’t do that. I was so excited about the project that I started it before receiving the extra skeins, and was already almost almost at the armpits when I got them. I didn’t want to frog the entire thing so I did what I could, and when you look up close, you can notice that the body is darker, the sleeves are lighter, and the yoke is somewhat of a hybrid of the two. Oops.
All in all, I don’t really mind it so much and it surely won’t prevent me from wearing the heck out of it for the remainder of the cold season, but lesson learned, folks! I’ll be more careful from now on to avoid this kind of (totally preventable) issue. Had anything similar ever happened to anyone of you guys?
I just finished the new sample for my feather and fan lace sweater pattern that is currently being tested, and I am SOOOO happy at how it turned out! It feels breezy, sunny, fun and perfect for spring. Awesomeness! I still have a few things to fix here and there before the pattern can be released, but I’m shooting for mid-February to early March. Things are moving so fast!