Gosh, has it already been two months already? I’m sorry…
But I’ve been working diligently on this beauty here, and it’s been taking most of my time as I’m not very efficient working cables. Resulting in me being a whopping 3 weeks late on this test knit. Beatriz, my deepest apologies!
Ok, let’s recap here. I signed up in September for another test test knit for SambaKnits, this beautifully textured Colmena Shawl. This is not my first rodeo, I’ve done test knits many times. What I didn’t realize at first though is that the entire textured section is all cables. That’s a lot of cables. And don’t get me wrong, I’ve done cables before and I know how to work them. But I’m not especially good at it. They seriously slow me down, leading me to greatly underestimate the time it would take me to knit this. But let’s pass for now abs let’s talk specs.
This shawl pattern is written for worsted weight yarn, and as always Beatriz was a charm letting us do yarn substitutions. I went for a couple skeins of Motley from Sugar Bush Yarns I had in stash. It is marked as a sport weight yarn but it’s a very thick and thin single that feels more like a DK to me. First surprise: it’s actually a self striping, which is not what I was expecting. How come I didn’t realize this?! Anyways, I decided to roll with it and knit the shawl with appropriately downsized 4mm needles.
I had committed to using the full two skeins I had, saving a third one for a matching hat or a pair of mittens. I did just that by adding one more full repeat of section 4, and working section 5 a total of 8 times instead of 4, all in all adding about 18 rows to the original pattern. I think I did great maximizing the yardage I had, though I ended up playing a fans a yarn chicken in the end abs lost – by about 10 stitches. So I had to borrow 12 inches of yarn from the reserved hat/mitten skein to finish binding it off.
All in all, it took me about 2 months to work through this shawl, which literally is FOREVER for me (thanks to the cables) but I regret nothing. I love this shawl, the feel of it, the colour, the texture, and given the choice I would still do it all over again. If you’re interested please do feel free to check out my Ravelry project page for all the details, and now I’ll hopefully be moving on to Christmas makes (Gosh I’m so so late this year!!)
I just recently finished my own version of Jennifer Dassau’s Vamping shawl pattern, a very popular choice among knitters for gradient yarns, and I am very pleased to report that it is just as wonderful of a pattern as people make it out to be. I mean, look at those sexy lines!
Now you see I’ve had this gorgeous 100% merino gradient yarn from The Blue Brick in my stash for a few years, over 3 I think, and I wasn’t really sure what to do with it. This yarn base called “Manitoulin Merino” (discontinued now – and the colorway, which was called “rose”, has also been discontinued since I think) is just insanely soft and pliable, but it is a single, and as such tends to be quite fragile so I wanted to keep it for something delicate that wouldn’t be subjected to too much wear.
As such, a shawl was very well suited, but I couldn’t for the life of me choose which pattern I wanted to make with it. I’ve already made an Iron Maiden, a Glitz at the Ritz, a couple Sunwalker from Melanie Berg, I’ve also made a Bosc Pear and most recently a Winterlight that would all have been very well suited for a gradient yarn and which I have all loved knitting. But I guess I just really wanted to try something new, ideally a different type of structure that would be a bit different from the traditional half circle or triangular shawls; something with a different architecture that would present the gradient in a different and original way.
And Jennifer Dassau’s Vamping is just that. The structure is interesting with central decreases instead of being at the beginning or the end, and it creates sort of a “V” pattern that is very fresh (at least in my mind) compared to so many other patterns out there. So I gave it a shot, and I am very pleased to report that the result is simply stunning. The pattern is very simple, but it does require to pay attention at least a little bit on the couple lace rows, which I have to admit I did not do. Consequently, I messed up in a couple places here and there, but the pattern is very forgiving and I don’t think it shows too much (I never ever use life line, and couldn’t be bothered to frog and fix it, so yea ^^). As always, all the details are on my project page so you can go check them out there.
All in all, I would most certainly make this pattern again, as I think it would be a great way to feature any gradient or handspun yarn you cherish.
As many spinners do every year in July, last month I bust out my spinning wheel to spin along the cyclists of the Tour de France, which was held July 6-28th. I gotta say that with the move and everything that’s going on in my life right now, I didn’t set any expectations to put out a good production, I was really just looking forward to spending a bit of time on a different activity for a little while, no pressure. And I’m happy to report that I did just that!
I set out the spinning wheel in the living room and putted at it every few days while watching the new season of Queer eye. Bliss!
All in all, I was able to spin about 5-ish oz. I spun (and plied) a Manos del Uruguay pink and purple 100g merino roving into a cute chain plied sport weight yarn, very soft and springy.
I also started spinning a green 4 oz merino-silk roving from Ashland Bay, But since I’m only about a quarter of the way through I decided to keep the spinning wheel out and I’ll keep on working on it here and there throughout the summer, and hopefully have another handspun to show you this fall.
To stay in the spinning spirit, I also started working on a cowl using my Flamboyant Flamingo handspun yarn, made during the tour de fleece a good 5 years ago. I wasn’t sure at first how it was going to turn out since the yarn is a 2-ply barber pole and quite think and thin since I still was pretty new to spinning, but it’s actually turning out pretty well with the structure of this wonderful cowl pattern. I will give a more through review of the Lissome pattern once I’m done, but let’s just say that I am really (REALLY) loving this design from Susan Pandorf.
So many projects, so little time!! Last weekend, I finally finished a sweater that has been on the needles since May 2017 (ahem!..) and I’m so happy it finally came together! Not only is it another project I can check off the WIP list, but it’s also a really pretty and cozy sweater, right on time for the cold season.
The pattern is (of course!) Tin Can Knits’s beautiful Snowflake, and the yarn is some Berroco Folio yarn I had in stash in color “Raspberry coulis” and “tan”. Since I had only a couple skeins of each, I decided on a striped version of the sweater to maximize the use of every yard. I ended up using all but 3 grams of the tan and 13 grams of the purple. As always, all the details on the yardage, striping sequence and mods can be found on my project page so take a look at them there if you’re interested!
Now this is my second snowflake sweater, but I haven’t been able to wear the first one that I made 4 years ago at all recently because I’ve lost a lot of weight and the bottom half of the body has been incredibly loose and shapeless. I’m very happy to have this model on my sweater rotation again, but I’ll definitely have to do something about the older one at some point this winter.
I think it should be an easy fix, since I could probably just pick up stitches around the waist where it still fits, frog the bottom half and re-knit it with less hip increases (or none at all). Whatever I do, I’ll make sure to keep you posted on my sweater surgery, so wish me luck!
Now if you don’t mind I’ll go back to my needles, because I definitely got some catching up to do before the year is over!
Yep, winter is here! In Quebec at least. In the last couple weeks here, we’ve been hit with very heavy snow falls wrecking havoc across town and causing major power outages in the area, and just like that winter rolled around a whole month in advance.
All this white fluffy chaos going on encouraged me to stay warm and cozy (while we had power, at least) on the couch, knitting stuff. Of course, season oblige, I worked on cold weather garments, like socks and scarves and things. I guess I kicked things off with a pair of socks I started on the plain to Taiwan and I’m quite happy at how they turned out.
I used my own Will you be my Valentine sock pattern but modified it a tad bit to add some 2X2 ribbing under the foot and around the ankle for stability. I like how the colors played out, and I’m still quite satisfied with the look and feel of the German short row heel. I gave this pair away to my pottery teacher, hope she likes them!
The other things I worked on the last few weeks though, I must say, were more about clearing WIPs from my craft room and fixing things that needed fixing… You’ll understand what I mean here in a minute.
The second pair of socks I completed last week was a pair of Solace socks I had started last year, but encountered a bit of a problem with. Now don’t get me wrong, Vanessa’s pattern is perfect in every way (as her patterns always are!) but I worked the first sock on size 2.5 mm needle (as per pattern), but mistakenly worked the second sock on size 2.25 mm needle, resulting in a totally different size sock. Oopsie much?
You may imagine my dismay when I noticed this little mishap, I was quite disheartened with the whole thing. So much so that the socks slumbered at the bottom of a bag for more than a year before I finally decided to fix it. Since the sock that actually fit better on me was the 2.25mm needle, I ended up frogging the larger sock, an reknit it again on size 2.25 mm needle to get a matching pair. All in all though, I think it worked out wonderfully – what do you guys think?
Lastly, I worked up a very simple double-sided broken rib scarf with a few skeins of Debbie Bliss’s Andes yarn I’ve had in stash forever. The thing with this yarn though is that I bought it in an off-white color that I afterwards decided I wasn’t too fond of, and tried to dye it. Unfortunately for me, Things didn’t work out as well as I thought they would, and I ended up with a very spotty minty yarn that I was even less a fan of. I tried using it for a couple different projects, but nothing would really work out and I ended up frogging many attempts. Now, since this yarn is a very soft and pliable single, it doesn’t like frogging too too much. Consequently, I ended up damaging the yarn, loosing quite a bit of it in the process and still didn’t have any idea what to do with it.
After much pondering, I decided that simple was best, and ended up working a narrow very simple scarf that I would over-dye afterwards, to mask my unsightly early attempts at dyeing. Here’s a before shot, just so you know what I was working with.
Now all the details are as always on my project page, but I ended up doing a dip-dye gradient using some Wilton’s food colouring in the “sky blue” and “black” hues. The blue and black mixture broke down a bit and made a few small splotches of pink here and there, but I think the experiment was mostly successful, and I am very (VERY!!) happy with the result.
What do you guys think? Yay? Or nay?
Life is cold… SO COLD! *tears*
Guys, temperatures here in Quebec have been dropping as fast as the daylight hours have been shrinking, winter has been slowly creeping in as we’ve experienced the first snow falls of the season.
Amidst it all, the only that’s been able to provide me any sort of comfort is a cozy knit curled up with a blanket on the couch, so today I would like to show you one of my latest FOs, a Winterlight shawl by Meg Gadsbey made with The Blue Brick‘s Killarney Sock gradient yarn in the “Waterfall” colorway.
This shawl was a very fast knit because the pattern is so cleverly designed to provide interesting and varied sections with minimal effort by maximizing the use of the simple knit stitch. Most rows of this pattern are actually just plain knitted, making this pattern extremely easy to memorize and very fast to knit. It’s also a great pattern to show off a gradient or a hand spun, so I am sure that I will make many more of this in the future.
I added a few plain rows at the end since I had a bit more yarn that what was needed, but I basically just followed the pattern the entire way through. There’s no need to fix something that’s already perfect! As usual all the info and yardage can be found on my project page, so take a look there if you’re interested.
Thank you all for reading, and I’ll see you again in a couple weeks for a little travel update 🙂
Guys, I’m so excited to show you the shawl I’ve been working on for almost 5 months now, it’s finally complete! Although it’s been a bit of a challenge, I’m so happy with the result!
Let me share a bit of a story to go along with this knit, because I think it deserves it. I’ve always been a huge fan of Melanie Berg, I love all of her designs and I’ve been eyeing Rheinlust since it first came out more than 2 years ago. To showcase the beautiful texture going on there, I wanted to use a solid or kettle dyed yarn to avoid any unnecessary visual distractions, so I opted for a couple skeins of the soft and beautiful (single-ply) Airy yarn from The Woolen Rabbit that I got at the Squam Art Fair in New Hampshire some 4 years back. It is a beautiful deep orange color, and mixed with the wavyness of the Rheinlust pattern, this shawl (to me!) looks like yummy gorgeous waves in a sea of orange crush pop! Don’t you guys feel the same?
Anyways, I started this shawl back in May as an airplane knit for my trip to Japan, but I quickly realized it wasn’t the smartest choice, as the pattern turned out to be a bit more challenging than I expected. I love lace patterns, but the way the waves kind of move along the knit got me really confused at first, and it took me a lot longer than usual to memorize the 22 row pattern repeat. Don’t get me wrong, the pattern is very clear and beautifully written, but my drowsy Dramamine brain had a lot of trouble juggling the yarn, the needle and the chart on the tiny plane tray intermittently taken over by food & drinks and a lot of other junk. Bottom line here, I frogged and started over this shawl 2 or 3 times before I got it somewhat right, and I made quite a few mistakes in the the first third of the shawl, but fortunately they seem to blend in quite well in the wavy pattern. The delicate single-ply yarn, however, didn’t appreciate all the frogging, confusion and messiness and broke in quite a few places in the first half.
Together, these two challenges made me realize that I probably should’ve thought things through a bit more, and chosen a more appropriate knit for the plane ride. An easier design with a simpler pattern repeat and a sturdier two or three ply yarn would certainly have been a wiser choice, but regardless of the knitting challenges faced during the trip, I am so happy that I made this shawl!! It is beautiful, soft and drapey, and every bit as amazing as I imagined it would be. I followed the pattern exactly, but repeated the main body 8 times instead of 9 to accommodate the smaller amount yarn I had available, all the details can be found on my project page as usual. And it worked out perfectly! I mean… Would you look at that beauty?
Either way, I shall learn from my mistakes and choose a more appropriate travel project the next time I go on a trip, which may come sooner rather than later.
See you again soon folks!
Sweet Lord summer is hot this year! Not that I’m complaining because the weather has been absolutely gorgeous (and I would much rather be hot than cold), but in this recent heat wave it’s been a bit hard to find the energy or motivation to work on… pretty much anything. These past couple weeks. in my apartment without A/C, I’ve been holing myself up in the basement living on berry-mint smoothies, nuts and salads. I can’t seem to muster enough energy or brain power to cook, sew, knit, blog or do any of the things that I like to do, but I have taken up another kind of activity – as soon as the sun sets and the temperature drops a little (like below 30° Celsius) I open all the windows, start the fans, put my shoes on and go for a long slow walk to cool myself down.
Please know that I’ve been meaning to write to post forever, and I am so sorry it took so long to get it out! First of all, here’s a shot of all the gifts and souvenirs that I brought back from Japan for friends and family.
Considering that I was travelling with only a backpack, I think it’s a feat in and out of itself to have been able to bring back this much stuff! But as much as possible, I tried to focus on small, light and portable objects that I wouldn’t bulk up my backpack too much. There’s a lot in there, but I brought back some snacks and sweets, letter sets, chopstick rests, stickers, notepads, bookmarks, postcards and things.
In addition to things shown in the picture, I also had an entire box shipped home from Kyoto which contained more sweets and snacks, yarn and some fabric, that I am about to show you in detail.
While I was in Japan, I visited 3 different craft stores. My shopping haul started in Kyoto when my sweet penpal Eriko took me to Nomura Tailor on Shijō Street. When I set foot in the store I was instantly AMAZED by the wide variety of fabrics and other products offered. Since I didn’t have much space in my luggage nor did I want to spend hundreds of dollars to ship giant boxes home, I had to limit myself to the three little pieces of fabric shown below, two adorable little precuts and 1 three meter long piece of cotton fabric that I may or may not use for a skirt in the near future.
The shopping haul continued when I got to Tokyo a few days later. There, I visited two adorable little yarn stores. The first one I went to was called Keito, and was located in Asakusabashi. It’s a very cute yarn store full of small little treasures. Among those, I brought back a beautiful fox shawl pin, a scissors shaped needle sizer, 1 ball of Noro fingering weight yarn and 2 skeins of insanely soft GENTLY 80/20 cotton/cashmere yarn from the Japanese company FGS Corporation. Gorgeous, right?
The last stop of my shopping haul was at Walnut Tokyo, a little yarn store located in the Omotesandō area between Shibuya and Minato. That store, although tiny, was absolutely adorable. The staff was nice and friendly, the atmosphere was very calm and quiet and the yarn, books and articles offered were all top quality. I browsed through many books and accessories, but ended up setting my sights on Arimisu’s Wanderlust Linen, a gorgeous 100% linen fingering weight yarn. I ended up buying 6 skeins of it, I just couldn’t resist!
What about you guys, any vacation planned this year? Are you planning to hit any craft stores or fiber festivals while you’re there?
While my backyard is still invisible under a giant snow bank, cherry blossoms are blooming all around the world and making me jealous, so I decided to make flowers bloom in my heart at least by making this lovely Blooming Shawl from Sachiko Uemura.
More precisely, it’s an unbeaded fingering weight version of this shawl, on slightly larger needles and with fewer repeats of the main lace section. I used all but 2.5g of a scrumptious skein of Piccolo sock yarn from Julie Asselin, that I actually hand dyed myself a couple years back when I attended a hand dyeing workshop given by Julie herself at the Twist Festival in St-André-Avelin, in Quebec (check out my blog post here!). What do you guys think? Not too shabby for a first hand dyeing experience, eh?
The Blooming Shawl pattern is very well written, easy and fairly straight forward. It’s got both, written and charted instructions and the main lace section only counts 8 easily memorized rows (I had it memorized by the second pattern repeat). The only thing that I thought was a bit annoying was that only one of the WS row had increases, and I would often forget them and work a normal regular WS row instead – causing me great grief when I would start the next pattern row and notice I had stitches missing! Overall, I really liked this pattern and surely will make it again, although next time I might make it a bit bigger.
As usual, all the information on this shawl can be found of my project page, so feel free to take a look there. Cheers!
These past few days I feel like I’m finally starting to get my knitting mojo back, although it’s been a very long journey and I guess for now I don’t really have much to show for it, but that’s okay! Today, I want to share with you the latest piece I completed, which is a redish/black version of Stephen West’s Askews Me Dickey cowl that I started back in January. Ain’t it just lovely?
Ravelry is telling me it took a bit over a month to complete this project, which really is somewhat laughable compared to the whopping two days it took me to complete this cowl the first time around in 2016, but I’m alright with that. Since work has been so busy lately and my personal schedule’s been a bit overloaded, I’ve barely been knitting at all these past few months, but I’m glad to report that more than half of this cowl has been knitted in the last 7 days, so I guess I’m starting to adjust and pick up some speed again. I basically made the same mods as the first time I knitted this pattern, which is to work less repeats of the pattern in the neck section and cast-on with color B only instead of a two color cast-on like the pattern calls for. As always, you can find all the details and yardage on my project page, so go check it out if you’re interested.
The timing works out quite right since there’s a few more weeks of winter coming and I’ll definitely get to wear it before spring comes around, but more than anything I’m just really happy to have finally finished something!
That’s all for now folks, until next time 🙂