As the pandemic quarantine continues, I’ve been knitting a lot more recently, actually more than I’ve ever done in the past few years. Which is great, because I feel like I’ve been neglecting my hobbies recently, and by doing so also neglecting myself a little bit.
So far in 2020 (and we’re only 4 months in!), I’ve already knitted 4598 yards in 6 projects, which is more than what I did the entire 2019 year (3473 yards in 6 projects) and already very close to 2018, where I knit 4715 yards in 9 projects. Given that we’re only at the beginning of May and that there’s still no sign of the end of the work from home situation yet, I will more than likely surpass my 2017 stats (which came up to 5481 yards in 7 projects) and may potentially even reach my 2016 numbers by the end of the year, which came up to a wonderfully impressive 10 928 yards in 17 projects. 2015 and 2014 are also very close behind, with 9314 yards in 16 projects and 10 292 yards in 15 projects respectively.
Now numbers don’t tell the whole story though, as I’ve been picking up more hobbies in the past 4 years (namely here spinning, pottery and I’ve also been much more phyisically active and cooking at home more) so it’s totally normal that my knitting numbers now are lower than the ones I had 4 or 5 years ago (and for very good and healthy reasons). But I think it’s also safe to say that I may potentially have not been putting aside as much time for myself as I should have, leading me to experience more stress, anxiety and affecting my overall mental health. I think this time “on pause” as led me to realize this, and hopefully, I will learn from this moving forward. I will try very hard in the future not to neglect myself and my mental health, pinky swear!!!
So without further ado, I would like to show you today a couple of the projects I’ve completed recently, namely here this cute pair of mesh market bags. I used the Ilene Bag pattern from Hannah Mason and knitted them out of 4 skeins of Fibra Natura’s Sea Song cotton yarn in pink and a few grams of plain white unnamed cotton yarn I had in stash.
I worked the bottom of the bag and the mesh section in the pink, then switched a contrasting color for the ribbing and the handle. Each bag used about 1.9 skein of sea song (just about 207 yards) and 100 yards of white for the ribbing and handle, for a grand total of about 307 yards per bag.
I did make a few small changes to the pattern, namely here adding some plain rows before the mesh pattern and some ribbing rows at the end; all the details are on my project page as usual so feel free to check it out there.
So how’s your quarantine going guys? How are you taking care of your mental health? Any tips to share?
We all have some of those, right? Well, staying home a lot more recently has given me an opportunity to revisit those, and to put the final stitches on a couple projects I (really) should’ve finished long ago.
First off is this luscious green cardigan I’ve started in October 2017 as a test-knit for the lovely Anne, for her French Kiss cardigan pattern. Now I feel particularly terrible about this one because I’m the type who will not sign up for a test knit unless I know for sure I can finish before the deadline. As luck would have it though, many unexpected things happened during that time frame that prevented me from completing the test. I felt horrible and apologized profusely, but after the pattern was published I didn’t feel as much pressure to finish the project so I just left it there and forgot about it. I’m so happy (and relieved) it is finally done, and right on time too – the colour and the yarn are perfect for spring / summer.
I used about 6 and a half skeins of Nettle Grove yarn from Plymouth Yarn in the colour “Mermaid”. This yarn is an interesting cotton, linen, silk and nettle mix, and although I’m not a huge fan, I gotta say that the final washed fabric is actually pretty soft and has very good stitch definition. I pretty much followed pattern instructions exactly, all the details are on my Ravelry project page.
Second project I want to show you guys is my second iteration of the Dessine-Moi Un Mouton sweater by La Maison Rililie that I had started in December 2018. It’s no secret that I love this design, I’ve used it before to make my Spilled Wine sweater (and made quite a fuss about it), and I seem to always gravitate towards this design to showcase something special. First time was a gradient yarn set from Wonderland Yarns, and now this time it’s one of my very first handspun yarn, that I had attempted to use for a BlueSand Cardigan before but ended up frogging (the unsuccessful attempt is still documented here).
Just like the first time I made this sweater, I’m using a staple yarn for me, Cascade’s Heritage Solids yarn, but this time I went for charcoal grey. I also again worked on a modified gauge (since I’m using fingering weight yarn), though this time I made this sweater one size smaller, since I’ve lost a lot of weight since I made the first iteration of this sweater.
Overall, I am just SO happy at how this one turned out, and I really cannot wait to wear it!! It’s fun, it’s playful, it’s comfy and more than anything, it’s not on a needle anymore. As usual the details on yardage and mods are available on my project page so feel free to check it out 🙂
Happy lovely spring to all you guys, from my couch as I self-isolate through this COVID-19 pandemic! I know a lot of us are feeling stressed, lonely, worried about health, job, financial situation, and all of that both for ourselves and our loved ones. But let’s just keep being positive, following Public Health guidelines and work our way through this one stitch at a time!
As a quick personal update, I’m sorry for being so notably absent again from the blog as I have been quite busy the past few months. The holidays passed in a breeze, and come January I started a new job that has been proving to be a bit challenging to adapt to. You may remember I had been working for many years as a city planner for a small town in central Quebec, well the new job isn’t only at a different government level but also in a different province and in a different language than my own. The learning curve has been incredibly steep, and it has taken me a lot of time and energy to acclimate to the new job and the new work environment so I have been doing not much aside from working, driving and trying to catch up on sleep. It is an incredibly interesting and challenging job and I am so glad I made the jump, although it was a little bit of a leap of faith, I’m telling you.
All that to say, the work from home situation I’ve been placed in since a couple weeks ago has actually been beneficial to my mental and physical health as the work has slightly slowed down and I’ve had more time to focus on myself, my needs and my wellbeing. I’ve been cooking more healthy meals for myself, exercising more regularly, sleeping better and also picked back up my long neglected hobbies. Although it is a bit lonely at times with the social distancing measures put in place, I really have nothing to complain about – I still have a job, still getting paid, still have everything I need and (more than anything) I am healthy.
Amidst all of this craziness, one thing I can say for sure though is that my time at home has been spent in good company with very cuddly kitties, many cups of warm delicious tea and cozy knitting breaks on the couch, which has resulted in me knitting up a brand new sweater in barely over a week. This new addition to my wardrobe is the Raindrops pattern from tincanknits, a pattern I’ve been wanting to knit for the longest time but just simply never got around to it. I knit this in size M using size 3.5mm needle instead of the recommended 3.25mm (as I’m kind of a tight knitter) and also changed up the cuff and bottom edge, to go for a split front/back with seed stitch border that would better suit my silhouette.
The yarn I used is Fiore from Nako, a yarn company I had never heard of before. It’s a 40% bamboo, 35% cotton and 15% linen yarn that is soft, supple and offers great stitch definition. It does tend to split a bit so you gotta be a little careful when knitting, but I gotta say it’s been a charm to work with, and as I tend to feel more comfortable wearing natural cotton and linen fibres per wool, it’s just perfect for me.
Overall, I’m super happy about how this turned out, and altough I’ve worn it a couple times inside the house, I really can’t wait for this quarantine thing to be over so I can show it off to the outside world.
I hope this short post has provided you a little bit of entertainment, and if any one of you is in need of anything (even if just someone to talk to) please feel free to reach out. Through these trying times, it is all the more important to care about one another and be an active (though distant) part of our close-knit communities.
Or not. But then again, maybe. I just recently finished my third Askews Me Dickey from Stephen West, and although it definitely is my favorite one of the bunch, it is also the one that looks the least like what I was expecting it to? Just hear me out here.
Askews me Dickey is a DK weight brioche cowl pattern worked on 4.5mm needles. It is a very structured cowl with a long slanted neck and a very wide yoke. Here’s a picture of the two first cowls I made using this pattern, and you will immediately see what I mean by “structured”.
The two times I made this cowl in the past, it was always a black yarn in the background and a red or a purple-ish color on top, and both times the cowl turned out nice and firm, stretchy and comfy but slightly too large around my neck/face.
Be that as it may, I wasn’t planning on making a third one of this, because I don’t wear cowls all that often (and I just finished the lissome cowl that I’m very much looking forward to wearing), but while I was going through my box of leftovers for another project, I found a couple balls of leftover Eucalyptus yarn from Mary Maxim.
Most of you probably have no idea what that yarn is because it’s been discontinued for a while and I really don’t think it was all that popular, but I have used it twice in the past for a shawl and a cowl (made respectively in the gray & the natural color). For those who have never seen it, it’s an insanely soft and luscious yarn composed of 50% acrylic and 50% viloft, a natural fiber made from Eucalyptus. The yarn is super soft and pliable, it behaves a little bit like bamboo with a nice stretch but has a much heavier weight to it which makes it feel much more decadent. Honestly, I can’t even find the words to describe it – that’s just how much I love this yarn. Anyways, you can probably imagine that when I saw I had some of this leftover in two colors, I just HAD to find something to do with it, and since I had very little of both colors, I thought it’d be a great fit for a brioche cowl.
Obviously this yarn is much finer that what the pattern calls for, being a sport weight yarn rather than a DK. But knowing the cowl turned out a tad too large both times I’ve made it in the past, I thought it’d be perfect with this and a smaller needle. I settled on a 4mm, and looking back I probably should’ve went down to a 3.75 or 3.5mm needle.
Either way I knitted this up in just a few days since it is such a quick knit, but as I went, I realized that the very soft and pliable yarn was not responding very well to the structure of the cowl. I still finished it though, figuring that it might turn out ok once I had the yoke completed, but it really didn’t give any more body to this cowl. I looked at the finished product in dismay, I stuffed it in a bag and let it sit there for a few days before I came around to it. You see, I had so many expectations for this cowl and it just didn’t turn out the way I thought it would so I felt a bit sad, disappointed and apprehensive of how it would look like on me.
When I finally did try it on though, I realized that I liked this cowl all the same, and that it was OK that it didn’t turn out the way I thought it would. Lesson learned. Sometimes, life has a different plan for you. What do you guys think? Have you ever put time and effort in a project only to realize it didn’t become what you had envisioned? Did you get disappointed? Were you able to come around? Let me know!
And as always, if you’re interested in the cowl, feel free to check out my project page on Ravelry.
I just recently finished my own version of Jennifer Dassau’s Vamping shawl pattern, a very popular choice among knitters for gradient yarns, and I am very pleased to report that it is just as wonderful of a pattern as people make it out to be. I mean, look at those sexy lines!
Now you see I’ve had this gorgeous 100% merino gradient yarn from The Blue Brick in my stash for a few years, over 3 I think, and I wasn’t really sure what to do with it. This yarn base called “Manitoulin Merino” (discontinued now – and the colorway, which was called “rose”, has also been discontinued since I think) is just insanely soft and pliable, but it is a single, and as such tends to be quite fragile so I wanted to keep it for something delicate that wouldn’t be subjected to too much wear.
As such, a shawl was very well suited, but I couldn’t for the life of me choose which pattern I wanted to make with it. I’ve already made an Iron Maiden, a Glitz at the Ritz, a couple Sunwalker from Melanie Berg, I’ve also made a Bosc Pear and most recently a Winterlight that would all have been very well suited for a gradient yarn and which I have all loved knitting. But I guess I just really wanted to try something new, ideally a different type of structure that would be a bit different from the traditional half circle or triangular shawls; something with a different architecture that would present the gradient in a different and original way.
And Jennifer Dassau’s Vamping is just that. The structure is interesting with central decreases instead of being at the beginning or the end, and it creates sort of a “V” pattern that is very fresh (at least in my mind) compared to so many other patterns out there. So I gave it a shot, and I am very pleased to report that the result is simply stunning. The pattern is very simple, but it does require to pay attention at least a little bit on the couple lace rows, which I have to admit I did not do. Consequently, I messed up in a couple places here and there, but the pattern is very forgiving and I don’t think it shows too much (I never ever use life line, and couldn’t be bothered to frog and fix it, so yea ^^). As always, all the details are on my project page so you can go check them out there.
All in all, I would most certainly make this pattern again, as I think it would be a great way to feature any gradient or handspun yarn you cherish.
Except for a couple rainy days here and there, the weather here this summer has been just wonderful; warm and sunny during the day and usually pretty cool at night. I have been taking advantage of the great weather to go for walks and enjoy the outdoors, but it hasn’t prevented me from making quite a bit of progress on other more “indoorsy” projects that I have been working on recently.
First off, I want to show you guys the Lissome cowl I just finished using a handspun I made just about 5 years ago during the tour de fleece. It’s a 100% merino salmon pink-ish barber pole yarn in a sports-ish weight. At first I really wasn’t sure how this was going to knit up, but I think it turned out beautiful on this gorgeously well structured cowl.
Susan Pandorf is a genius for having designed such a wonderful pattern! It is simple, yet impressively well thought and well written. The first 4 rows were a bit counter-intuitive for me so I had to pay more attention working those, but once I got used to it, this cowl just knits up like a breeze! The texture is absolutely amazing and the finished cowl is delicate enough yet not too lacy – a great balance!
I used all but two yards of the two skeins I had, and was able to work up 14 repeats of the main body. The finished cowl was blocked at about 10” high and 25” long folded, so 50” circumference in total. As usual, all the details can be found on my project page so you can go check it out there.
While this cowl was under construction, I was also lucky enough to have a little photo session with the lovely Emily from Cyclopes photographie. See, I needed a professional portrait done and she does stock photography, so we agreed on an exchange – she would do my portrait for free if I agreed to be used as a model for some stock images. Now I have a lot of hobbies so I had a fun time trying to decide which one I wanted to feature for the stock pictures, but I opted for spinning, knitting and yoga.
As you can see, the pictures turned out simply amazing, I just have no words.
And in other news, I also spent some time last weekend painting an accent wall in my dining room. It took a little bit longer than I expected, but as you can see it was well worth every minute!
That’s all for now folks, wish you all a great week 🙂
As many spinners do every year in July, last month I bust out my spinning wheel to spin along the cyclists of the Tour de France, which was held July 6-28th. I gotta say that with the move and everything that’s going on in my life right now, I didn’t set any expectations to put out a good production, I was really just looking forward to spending a bit of time on a different activity for a little while, no pressure. And I’m happy to report that I did just that!
I set out the spinning wheel in the living room and putted at it every few days while watching the new season of Queer eye. Bliss!
All in all, I was able to spin about 5-ish oz. I spun (and plied) a Manos del Uruguay pink and purple 100g merino roving into a cute chain plied sport weight yarn, very soft and springy.
I also started spinning a green 4 oz merino-silk roving from Ashland Bay, But since I’m only about a quarter of the way through I decided to keep the spinning wheel out and I’ll keep on working on it here and there throughout the summer, and hopefully have another handspun to show you this fall.
To stay in the spinning spirit, I also started working on a cowl using my Flamboyant Flamingo handspun yarn, made during the tour de fleece a good 5 years ago. I wasn’t sure at first how it was going to turn out since the yarn is a 2-ply barber pole and quite think and thin since I still was pretty new to spinning, but it’s actually turning out pretty well with the structure of this wonderful cowl pattern. I will give a more through review of the Lissome pattern once I’m done, but let’s just say that I am really (REALLY) loving this design from Susan Pandorf.