While my backyard is still invisible under a giant snow bank, cherry blossoms are blooming all around the world and making me jealous, so I decided to make flowers bloom in my heart at least by making this lovely Blooming Shawl from Sachiko Uemura.
More precisely, it’s an unbeaded fingering weight version of this shawl, on slightly larger needles and with fewer repeats of the main lace section. I used all but 2.5g of a scrumptious skein of Piccolo sock yarn from Julie Asselin, that I actually hand dyed myself a couple years back when I attended a hand dyeing workshop given by Julie herself at the Twist Festival in St-André-Avelin, in Quebec (check out my blog post here!). What do you guys think? Not too shabby for a first hand dyeing experience, eh?
The Blooming Shawl pattern is very well written, easy and fairly straight forward. It’s got both, written and charted instructions and the main lace section only counts 8 easily memorized rows (I had it memorized by the second pattern repeat). The only thing that I thought was a bit annoying was that only one of the WS row had increases, and I would often forget them and work a normal regular WS row instead – causing me great grief when I would start the next pattern row and notice I had stitches missing! Overall, I really liked this pattern and surely will make it again, although next time I might make it a bit bigger.
As usual, all the information on this shawl can be found of my project page, so feel free to take a look there. Cheers!
Well, spring hasn’t really been springing lately, what with all the snow and cold weather and everything, but hey! I’ve been keeping my spirits up by knitting up a shawl out of one of my favorite hanspuns!
I used the free Bosc Pear pattern from Tetiana Otruta, it’s simple and fairly straightforward, didn’t do any mods whatsoever apart from repeating the main body section once more than the pattern called for, since I had extra yarn. I used all but 4 grams of the skein, and I’m quite happy at how it turned out! As usual all the details can be found on my project page, so feel free to take a look there 🙂
How’s YOUR spring you guys, any better than mine?
While it’s still snowing heavily here, the temperature has steadily been getting warmer, the days are getting longer and longer and every day the air feels more like spring – and let’s face it, it’s just so darn pretty!
Spring makes me want to clean things up and have a fresh start, and I somehow really wish I could start by clearing my office desk top! But nevermind that, instead I’ve been chugging along WIPs that have been hibernating for a tad bit too long in my craft room. First, I picked up an adorable cardigan called French Kiss from the lovely Anne B. Hansen that I started back in November as a test knit but couldn’t complete in time due to unforeseen circumstances both in my personal and professional life. I finished the body (that I made considerably longer that the pattern called for) and I am now about halfway through the first sleeve. If I can keep things going at this pace, I should have this cardigan completed before the end of the month. Yay! Fortunately for me, I’ve been getting a lot of (feline) help and support along the way.
Secondly, I tidied things up around my sewing room and worked on a bag I made many, many years ago that needed fixing and put together 3 new additions : 1 reversible tote bag and 2 multi-way asymmetrical fold over clutches, that I find absolutely adorable.
As always, the reversible tote bag was made using my trusted Kwik Sew K3700 pattern, but for the little fold over clutch/tote bag, I didn’t use a pattern. I wanted to make an envelope clutch that could unfold and be used as a tote when needed, so I decided to put pen to tracing paper and figured it out myself. There’s the main bag compartment that has 2 little pockets on the inside (one zippered, one sewed over the lining) and there’s another compartment on the front, where the clutch folds over, inside of which there’s another pocket sewed onto the lining. There’s also 2 sets of D rings to attach the strap for the full size or the half size, and two different straps to use – one wrist lanyard and a full size adjustable strap. All of them feature small hooks to be detached and reattached where needed.
Although I love the final result, I struggled a bit to install all those zippers (there’s 3 per bag, folks!!!) the right way. Ok, I’ll admit it – there’s a zipper I had to rip and reinstall twice because it was installed inside out. Urgh! But you wouldn’t make fun of me for that, now, would you ? 🙂
Ok, 4 months is a long time. I have to admit, I really (REALLY) have been neglecting my blog… But then again I guess I’ve been neglecting a lot of things, because in those 4 months, I haven’t used my spinning wheel or my loom, only used my sewing machine for minor clothing repairs and barely made any progress on the WIPs I’ve had on the needles for months.
There could many different reasons behind this general disinterest I have been experiencing towards both crafting and the blog, but I think it’s mostly a mix of bad case of winter blues and a much needed break after completing such a big (and kind of stressful) project as a wedding dress. Add to that the fact that I also fell back into an old love of mine and picked up a couple good books to read, and there you have it – almost nothing to show for the last 4 months.
Actually, that’s not entirely true either because I DID finish one project since January, and that is the Star Anise hat that I started in December for my sister in law.
I also have a couple sweaters on the needles, namely here the Dessine-moi un mouton I showed you in July last year and the striped Snowflake I started early in January using some Berroco Folio I had in stash in color “tan” and “raspberry coulis”.
In other news, my honeybee and I also spent 4 days visiting Washington DC last month, and we had a blast! Although we were a bit late for the cherry blossoms, we still had a lot of fun visiting parks, memorials and monuments and visiting the US Capitol and the weather was just GORGEOUS the whole time we were there. For those interested, here’s a little photo recap of our fun-filled vacation in DC.
So that’s it for now folks, and I surely hope next time won’t be in another 4 months! Cheers!
The sun has been shining brighter and warmer in the past few weeks, and as surely as it announces the approching spring, it also indicates the time where I switch from winter knits to summer knits.
I made a few mods that are detailed on my project page, but it mainly consists of adding length, switching out the 1×1 rib by brioche and adding some short row shaping to the bottom edge to create more dynamic lines featuring a longer back and a shorter front.
As much as I love the finished object and the motif used in this pattern, I must say that I am quite dissapointed by the way the pattern itself was written. It’s the first time this has ever happened to me, but I felt the pattern was… Incomplete. Or rushed. Let me explain a little more what I mean.
First of all, I felt the English version of the pattern needed a lot of polishing. The pattern designer is French so I understand well her struggles (my first language is french too) but there was still a lot of avoidable mistakes, both on structure and vocabulary, making the pattern hard to understand.
Also, I found the pattern was not providing enough details on the construction and shaping of the garment. The best example I can give you is about the waist shaping. The pattern says to keep both side markers to place increases and decreases, but do not provide any information as to how the waist shaping should be worked. It only says to “work them in pattern”, but there is no indication as to how to do that (especially when working an all over lace pattern), and no indication of how MANY increase or decrease rows there should be, or how many rows apart they need to be placed. This is one example, but I’ve noticed instructions (and finishing touches) were missing everywhere in the pattern, including at the separation of the sleeves and the transition from ribbing to lace and lace to ribbing. Somehow I feel like I should have just looked up the motif and wrote the pattern myself. Am I weird? Is it wrong of me to assume that when you pay 5 euros (7.44$ CAN) for a pattern, the designer should have done that part of the work for you? Having written some patterns myself, I would find it absolutely unacceptable to rely so heavily on the knitter to figure things out themselves after making them pay for a pattern.
I feel robbed. Have any of you experienced something like that before?
The last few weeks have been crazy busy for me, both at work and in my personal life, and in my book that generally means dealing with A LOT of stress. As a form of damage control and to let off some steam I’ve been trying to crunch a few minutes of knitting or spinning when I can to (somewhat) try to keep the stress under control. Fortunately for me, it’s been successful on two fronts; I’ve been able to keep stress on a manageable level and I’ve been making great progress on some super fun yarny projects, so yay!
The first thing I want to show you is my last spin, a fingering weight navajo plied yarn I just finished yesterday using some malabrigo nube I had in stash, in color “solis”. It’s 112 grams and 407 yards of yummy merino goodness, and I’m really excited to show it to you because it’s the first time I’ve plied a full skein using the navajo plying technique, I am so thrilled!
On the knitting front, I’ve also been making pretty good progress on my golden afternoon sweater, an all-over lace pattern called Clementine Pullover, from Carole Francone. I am not thrilled with the pattern, I’ll give you a full review once the sweater is done, but I must say that I absolutely LOVE the lace stitch. To make this the perfect summer top, I’m using some Euroflax Sport Weight yarn in color Goldenrod.