I just recently finished my own version of Jennifer Dassau’s Vamping shawl pattern, a very popular choice among knitters for gradient yarns, and I am very pleased to report that it is just as wonderful of a pattern as people make it out to be. I mean, look at those sexy lines!
Now you see I’ve had this gorgeous 100% merino gradient yarn from The Blue Brick in my stash for a few years, over 3 I think, and I wasn’t really sure what to do with it. This yarn base called “Manitoulin Merino” (discontinued now – and the colorway, which was called “rose”, has also been discontinued since I think) is just insanely soft and pliable, but it is a single, and as such tends to be quite fragile so I wanted to keep it for something delicate that wouldn’t be subjected to too much wear.
As such, a shawl was very well suited, but I couldn’t for the life of me choose which pattern I wanted to make with it. I’ve already made an Iron Maiden, a Glitz at the Ritz, a couple Sunwalker from Melanie Berg, I’ve also made a Bosc Pear and most recently a Winterlight that would all have been very well suited for a gradient yarn and which I have all loved knitting. But I guess I just really wanted to try something new, ideally a different type of structure that would be a bit different from the traditional half circle or triangular shawls; something with a different architecture that would present the gradient in a different and original way.
And Jennifer Dassau’s Vamping is just that. The structure is interesting with central decreases instead of being at the beginning or the end, and it creates sort of a “V” pattern that is very fresh (at least in my mind) compared to so many other patterns out there. So I gave it a shot, and I am very pleased to report that the result is simply stunning. The pattern is very simple, but it does require to pay attention at least a little bit on the couple lace rows, which I have to admit I did not do. Consequently, I messed up in a couple places here and there, but the pattern is very forgiving and I don’t think it shows too much (I never ever use life line, and couldn’t be bothered to frog and fix it, so yea ^^). As always, all the details are on my project page so you can go check them out there.
All in all, I would most certainly make this pattern again, as I think it would be a great way to feature any gradient or handspun yarn you cherish.
I know, I know… Long time no blog. Things have been a little hectic in the last few weeks so I haven’t had any time to write, but I have exciting news folks – my honeybee and I just got married 🙂
We both felt really blessed, surrounded by loving friends and family on a gorgeous fall day. We are so glad that regardless of the language barrier, everybody just came together to shared this happy moment with us. Also a big Thank You to our amazing photographer Frederic Alogna for capturing all the feelings and emotions on this special day.
Now you may be thinking… “Wait… doesn’t this dress look knitted? There’s no way…” Well yes, I knitted my dress. And that is mainly why I haven’t been able to blog in such a long time! I have been sewing, knitting and crafting all sorts of things in the last few weeks, but I couldn’t share any of it before the wedding as I didn’t want to spoil any surprises!
Now that I can talk about it, here’s the break down.
The plain silk dress was made using a 42″ silk charmeuse in color “vanilla” bought on Etsy. It’s fully lined, and I used the same pattern as the black and white cap sleeve dress I made in August (see my last post for details).
Now, the knitted lace overlay. You know… Ravelry is telling me that I started this in June 2015. Don’t worry folks, I haven’t REALLY been knitting this non-stop for 15 months. Actually, a good portion of that time was spent thinking, calculating and altering the chosen patterns to materialize the idea I had in my head. You see, the problem is that I couldn’t find a single dress pattern I liked 100%. My idea was to have an allover lace overlay that would feature a 3/4 sleeve, fitted bodice and a circular yoke. I also wanted a circle or half circle skirt, and all of that had to be knitted from the top down in one piece. Yea… that’s probably why I couldn’t find a pattern. But it’s all fine, because I had found PIECES of patterns I liked! So I started this project by loosely following the instructions for the Cecilia top but modified it to a fitted body with sleeves and worked the body in allover lace. Then, I worked a 2″ seed stitch waistband and transitioned to the May dress skirt. Now this pattern is knitted flat so I first had to transpose the patter to all RS rows to work in the round. It’s also originally knitted from the bottom up and I was working my dress top down, so it means that the lace is upside down but I thought it looked good either way so I didn’t bother trying to reverse it. I worked the skirt like that for a little while, then finally I transitioned to a flare-out inspired by the cecilia top lace. Throughout the dress, I used a strand of Cascade Kid Seta in color blush and a strand of Diamond Luxury Collection Baby Alpaca Lace in color cream knitted together as one. I used about 1500 yards of each, for a grand total of 3116 yards. I am very, very proud of this project, and I’m sure I will happily wear this dress many more times in the future. For those interested, you can see all the details on my my project page.
That’s all for now folks… Cheers 🙂
Fall has finally rolled around, and with it sometimes comes cold and rainy days but also, when weather permits, beautiful, bright and colorful days full of autumn spirit and love. Fortunately for us on the east coast, we have been blessed this year with the latter, and we have been taking full advantage of it the last couple weekends by driving around Vermont to see the colors and enjoying outdoor activities.
While the view is spectacular, the rather cold temperature has prompted me to rummage through my box winter accessories, and I was rather disappointed to realize I did not have a hand knit hat that matched my (very bright orange) spring coat. To fix this problem, I decided to make myself a new hat using a basic pattern and a neutral color that would match all my coats. I set my mind on the pattern Wurm, by Katharina Nopp, that I slightly modified to suit my taste (larger horizontal stripes, a 1×1 rib double edge and an added pompom). If you are interested in replicating this hat, please visit my project page for detailed information on the mods I did. 🙂
The yarn I used is a wonderfully soft and lush merino/cashmere/nylon fingering weight yarn from Zen Yarn Garden called Serenity 20. I must say that I truly enjoyed knitting with this yarn and certainly will use it again, I really think it’s one of those luxuries you simply can’t get enough of. And what to say about the colors? Simply wonderful! If you have never tried this yarn, I strongly recommend you try it at least once, I’m sure you will never regret it.
While I’m still pecking away at my Bluesand Cardigan, I can’t say that I have made much progress since I last shared it with you a month and a half ago. A good part of the reason why it’s been such a long process is that I ran out of the main color and wasn’t into the idea of ordering a new skein, so I tried as best as I could to adjust the design to fit the yarn I had. After trying a few things though, I realized I was just not happy with how this was turning out and I finally resigned myself to frog my unsuccessful attempts and order a new skein of the MC.
At first I was a little upset about it, but after giving it much thought, I came to the conclusion that knitting is an investment both in time and money, and I need to be 100% satisfied with the final product to make it worthwhile. What I mean is that I prefer spending more time fixing a cardigan to make sure I will love it and wear it than half ass a cardigan that will end up collecting dust at the bottom of my closet.