The things we love most
After spending so much time home recently, I came to realize that it’s very easy to establish our own little routines, and get comfort from the small things. One of the things I noticed the past few weeks is that I truly love the handmade pottery pieces I have, and that I keep using them all the time. I even see it on my instagram feed, as most food pictures I post on there also happen to feature some hand made items.
Seeing that, I thought I could present you guys the last pieces I finished in 2019, talk a little bit more about the process and show you the full collections I’ve been using constantly since then.
First off, I think the last time we talked pottery, I told you my favorite part of it was actually applying the glaze, because it was always kind of a surprise how things were really going to turn out. Here’s a very good example of what I mean by that. Left picture is just after applying the glaze, right is the same pieces once out of the kiln.
You can tell it’s the same pieces, but man do they look different! Sometimes you can try to imagine as much as you want, but it’ll turn into something you never expected, especially if it’s a glaze you’ve never used before. Now since I’ve been using the same colour combos for a while now I sort of know what to expect, but I still do get surprises every now and then nonetheless.
The two main “collections” if you will, that I’ve been working on are this classic black and white (my Moody set) and the wavy white and teal (my Ocean set).
This black set basically starts with an even black base, then the pieces are dipped in white glaze on one side as an overlay. Except for the onces with the interesting texture, they’re pretty much all the same. The two small plates have specks on them, something I tried here (but didn’t quite like in this palette) but exploited a lot more in the second set I made, that I affectionately call my Ocean set.
Half of those pieces (mostly the bowls) have a gradient-ish exterior and a plain white interior. The other ones (mostly the plates) have a basic white glaze with a bold teal brush stroke and a few specks here and there, reminiscent (to me) of the waves of the ocean.
I love those two sets so much I’ve just been using and washing and reusing them non stop since the holidays, and I really don’t think I will ever stop. They are very close to my heart, and although I do (and will probably continue to) experiment with other colours, just like the yellow ones in the first picture, I think I will definitely keep making pieces to add to these two collections as I go.
Talking about experiments, I tried something fun and different with these 3 pieces right there, as they were meant as a gift. There is some texture to them as I added some stripes on the side, then used a dark blue and green scheme with a lot of splashes of colour.
Overall I’m pretty happy with the result, and I hope the intended recipient will be too!
That’s it for today folks, new post knitting post coming soon 🙂
I just recently finished my own version of Jennifer Dassau’s Vamping shawl pattern, a very popular choice among knitters for gradient yarns, and I am very pleased to report that it is just as wonderful of a pattern as people make it out to be. I mean, look at those sexy lines!
Now you see I’ve had this gorgeous 100% merino gradient yarn from The Blue Brick in my stash for a few years, over 3 I think, and I wasn’t really sure what to do with it. This yarn base called “Manitoulin Merino” (discontinued now – and the colorway, which was called “rose”, has also been discontinued since I think) is just insanely soft and pliable, but it is a single, and as such tends to be quite fragile so I wanted to keep it for something delicate that wouldn’t be subjected to too much wear.
As such, a shawl was very well suited, but I couldn’t for the life of me choose which pattern I wanted to make with it. I’ve already made an Iron Maiden, a Glitz at the Ritz, a couple Sunwalker from Melanie Berg, I’ve also made a Bosc Pear and most recently a Winterlight that would all have been very well suited for a gradient yarn and which I have all loved knitting. But I guess I just really wanted to try something new, ideally a different type of structure that would be a bit different from the traditional half circle or triangular shawls; something with a different architecture that would present the gradient in a different and original way.
And Jennifer Dassau’s Vamping is just that. The structure is interesting with central decreases instead of being at the beginning or the end, and it creates sort of a “V” pattern that is very fresh (at least in my mind) compared to so many other patterns out there. So I gave it a shot, and I am very pleased to report that the result is simply stunning. The pattern is very simple, but it does require to pay attention at least a little bit on the couple lace rows, which I have to admit I did not do. Consequently, I messed up in a couple places here and there, but the pattern is very forgiving and I don’t think it shows too much (I never ever use life line, and couldn’t be bothered to frog and fix it, so yea ^^). As always, all the details are on my project page so you can go check them out there.
All in all, I would most certainly make this pattern again, as I think it would be a great way to feature any gradient or handspun yarn you cherish.
Life is cold… SO COLD! *tears*
Guys, temperatures here in Quebec have been dropping as fast as the daylight hours have been shrinking, winter has been slowly creeping in as we’ve experienced the first snow falls of the season.
Amidst it all, the only that’s been able to provide me any sort of comfort is a cozy knit curled up with a blanket on the couch, so today I would like to show you one of my latest FOs, a Winterlight shawl by Meg Gadsbey made with The Blue Brick‘s Killarney Sock gradient yarn in the “Waterfall” colorway.
This shawl was a very fast knit because the pattern is so cleverly designed to provide interesting and varied sections with minimal effort by maximizing the use of the simple knit stitch. Most rows of this pattern are actually just plain knitted, making this pattern extremely easy to memorize and very fast to knit. It’s also a great pattern to show off a gradient or a hand spun, so I am sure that I will make many more of this in the future.
I added a few plain rows at the end since I had a bit more yarn that what was needed, but I basically just followed the pattern the entire way through. There’s no need to fix something that’s already perfect! As usual all the info and yardage can be found on my project page, so take a look there if you’re interested.
Thank you all for reading, and I’ll see you again in a couple weeks for a little travel update 🙂
Well, spring hasn’t really been springing lately, what with all the snow and cold weather and everything, but hey! I’ve been keeping my spirits up by knitting up a shawl out of one of my favorite hanspuns!
I used the free Bosc Pear pattern from Tetiana Otruta, it’s simple and fairly straightforward, didn’t do any mods whatsoever apart from repeating the main body section once more than the pattern called for, since I had extra yarn. I used all but 4 grams of the skein, and I’m quite happy at how it turned out! As usual all the details can be found on my project page, so feel free to take a look there 🙂
How’s YOUR spring you guys, any better than mine?
Time goes by so fast! Christmas is right around the corner and I am so not ready! Are you? Admittedly, I should have been working on presents a bit more, but I really (REALLY!) wanted to give the last push needed to finish the Dessine-Moi Un Mouton sweater I started last year. And I did! Yay! And I’m super happy at how it turned out.
First of all, big shout out to Becktrek who was kind enough to send me her cream Heritage Solids leftovers without which I would not have been able to finish this sweater!
Secondly, as many people have said before me, I must say that this pattern is simply genius. It’s well designed with good play on color and texture, it’s got cutesy little details around the cuffs and the pattern is so well written and explained it’s just insane.
Like always I made a few mods, namely here added some (ok, a lot of!) length, and also changed the stripe sequence to make the most out of the “Have some wine” Cheshire Cat yarn gradient pack from Frabjous Fibers I bought a couple years back. Any otherwise, this sweater was a no-fuss kind of project, with no waist shaping and no neckband. As usual, you can check out all the details and yardage on my project page.
Now, back to my Holiday prep!