After spending so much time home recently, I came to realize that it’s very easy to establish our own little routines, and get comfort from the small things. One of the things I noticed the past few weeks is that I truly love the handmade pottery pieces I have, and that I keep using them all the time. I even see it on my instagram feed, as most food pictures I post on there also happen to feature some hand made items.
Seeing that, I thought I could present you guys the last pieces I finished in 2019, talk a little bit more about the process and show you the full collections I’ve been using constantly since then.
First off, I think the last time we talked pottery, I told you my favorite part of it was actually applying the glaze, because it was always kind of a surprise how things were really going to turn out. Here’s a very good example of what I mean by that. Left picture is just after applying the glaze, right is the same pieces once out of the kiln.
You can tell it’s the same pieces, but man do they look different! Sometimes you can try to imagine as much as you want, but it’ll turn into something you never expected, especially if it’s a glaze you’ve never used before. Now since I’ve been using the same colour combos for a while now I sort of know what to expect, but I still do get surprises every now and then nonetheless.
The two main “collections” if you will, that I’ve been working on are this classic black and white (my Moody set) and the wavy white and teal (my Ocean set).
This black set basically starts with an even black base, then the pieces are dipped in white glaze on one side as an overlay. Except for the onces with the interesting texture, they’re pretty much all the same. The two small plates have specks on them, something I tried here (but didn’t quite like in this palette) but exploited a lot more in the second set I made, that I affectionately call my Ocean set.
Half of those pieces (mostly the bowls) have a gradient-ish exterior and a plain white interior. The other ones (mostly the plates) have a basic white glaze with a bold teal brush stroke and a few specks here and there, reminiscent (to me) of the waves of the ocean.
I love those two sets so much I’ve just been using and washing and reusing them non stop since the holidays, and I really don’t think I will ever stop. They are very close to my heart, and although I do (and will probably continue to) experiment with other colours, just like the yellow ones in the first picture, I think I will definitely keep making pieces to add to these two collections as I go.
Talking about experiments, I tried something fun and different with these 3 pieces right there, as they were meant as a gift. There is some texture to them as I added some stripes on the side, then used a dark blue and green scheme with a lot of splashes of colour.
Overall I’m pretty happy with the result, and I hope the intended recipient will be too!
That’s it for today folks, new post knitting post coming soon 🙂
We all have some of those, right? Well, staying home a lot more recently has given me an opportunity to revisit those, and to put the final stitches on a couple projects I (really) should’ve finished long ago.
First off is this luscious green cardigan I’ve started in October 2017 as a test-knit for the lovely Anne, for her French Kiss cardigan pattern. Now I feel particularly terrible about this one because I’m the type who will not sign up for a test knit unless I know for sure I can finish before the deadline. As luck would have it though, many unexpected things happened during that time frame that prevented me from completing the test. I felt horrible and apologized profusely, but after the pattern was published I didn’t feel as much pressure to finish the project so I just left it there and forgot about it. I’m so happy (and relieved) it is finally done, and right on time too – the colour and the yarn are perfect for spring / summer.
I used about 6 and a half skeins of Nettle Grove yarn from Plymouth Yarn in the colour “Mermaid”. This yarn is an interesting cotton, linen, silk and nettle mix, and although I’m not a huge fan, I gotta say that the final washed fabric is actually pretty soft and has very good stitch definition. I pretty much followed pattern instructions exactly, all the details are on my Ravelry project page.
Second project I want to show you guys is my second iteration of the Dessine-Moi Un Mouton sweater by La Maison Rililie that I had started in December 2018. It’s no secret that I love this design, I’ve used it before to make my Spilled Wine sweater (and made quite a fuss about it), and I seem to always gravitate towards this design to showcase something special. First time was a gradient yarn set from Wonderland Yarns, and now this time it’s one of my very first handspun yarn, that I had attempted to use for a BlueSand Cardigan before but ended up frogging (the unsuccessful attempt is still documented here).
Just like the first time I made this sweater, I’m using a staple yarn for me, Cascade’s Heritage Solids yarn, but this time I went for charcoal grey. I also again worked on a modified gauge (since I’m using fingering weight yarn), though this time I made this sweater one size smaller, since I’ve lost a lot of weight since I made the first iteration of this sweater.
Overall, I am just SO happy at how this one turned out, and I really cannot wait to wear it!! It’s fun, it’s playful, it’s comfy and more than anything, it’s not on a needle anymore. As usual the details on yardage and mods are available on my project page so feel free to check it out 🙂
Or not. But then again, maybe. I just recently finished my third Askews Me Dickey from Stephen West, and although it definitely is my favorite one of the bunch, it is also the one that looks the least like what I was expecting it to? Just hear me out here.
Askews me Dickey is a DK weight brioche cowl pattern worked on 4.5mm needles. It is a very structured cowl with a long slanted neck and a very wide yoke. Here’s a picture of the two first cowls I made using this pattern, and you will immediately see what I mean by “structured”.
The two times I made this cowl in the past, it was always a black yarn in the background and a red or a purple-ish color on top, and both times the cowl turned out nice and firm, stretchy and comfy but slightly too large around my neck/face.
Be that as it may, I wasn’t planning on making a third one of this, because I don’t wear cowls all that often (and I just finished the lissome cowl that I’m very much looking forward to wearing), but while I was going through my box of leftovers for another project, I found a couple balls of leftover Eucalyptus yarn from Mary Maxim.
Most of you probably have no idea what that yarn is because it’s been discontinued for a while and I really don’t think it was all that popular, but I have used it twice in the past for a shawl and a cowl (made respectively in the gray & the natural color). For those who have never seen it, it’s an insanely soft and luscious yarn composed of 50% acrylic and 50% viloft, a natural fiber made from Eucalyptus. The yarn is super soft and pliable, it behaves a little bit like bamboo with a nice stretch but has a much heavier weight to it which makes it feel much more decadent. Honestly, I can’t even find the words to describe it – that’s just how much I love this yarn. Anyways, you can probably imagine that when I saw I had some of this leftover in two colors, I just HAD to find something to do with it, and since I had very little of both colors, I thought it’d be a great fit for a brioche cowl.
Obviously this yarn is much finer that what the pattern calls for, being a sport weight yarn rather than a DK. But knowing the cowl turned out a tad too large both times I’ve made it in the past, I thought it’d be perfect with this and a smaller needle. I settled on a 4mm, and looking back I probably should’ve went down to a 3.75 or 3.5mm needle.
Either way I knitted this up in just a few days since it is such a quick knit, but as I went, I realized that the very soft and pliable yarn was not responding very well to the structure of the cowl. I still finished it though, figuring that it might turn out ok once I had the yoke completed, but it really didn’t give any more body to this cowl. I looked at the finished product in dismay, I stuffed it in a bag and let it sit there for a few days before I came around to it. You see, I had so many expectations for this cowl and it just didn’t turn out the way I thought it would so I felt a bit sad, disappointed and apprehensive of how it would look like on me.
When I finally did try it on though, I realized that I liked this cowl all the same, and that it was OK that it didn’t turn out the way I thought it would. Lesson learned. Sometimes, life has a different plan for you. What do you guys think? Have you ever put time and effort in a project only to realize it didn’t become what you had envisioned? Did you get disappointed? Were you able to come around? Let me know!
And as always, if you’re interested in the cowl, feel free to check out my project page on Ravelry.
Hey guys! Recently I’ve been a bit tied up with the house, with multiple projects going on and many ideas brewing so this week I have a few more home dec projects to share! Now I hadn’t made cushions covers in such a long time, probably years in fact, so I felt like it was time to finally make some new ones – especially now that I have a beautiful wooden bench around my dining room table to dress up.
And while I was at it, why not make a couple more to replace the old ones in the living room, move the furniture around, sew a new chair cover, paint & reupholster my old bench and paint the backsplash in the kitchen (because it’s the same paint, you know…)? Ok, I admit it – I might have gone a tad bit overboard with the house stuff. But it looks absolutely gorgeous so I have absolutely no regrets! And with the new furniture now in, my dining room finally looks complete. Yes!!
Is it just me or if it feels like recently my blog has been turning into a design show? Next post, I promise, it will be all knitting and fiber and things!
Until then, cheers 🙂
As many spinners do every year in July, last month I bust out my spinning wheel to spin along the cyclists of the Tour de France, which was held July 6-28th. I gotta say that with the move and everything that’s going on in my life right now, I didn’t set any expectations to put out a good production, I was really just looking forward to spending a bit of time on a different activity for a little while, no pressure. And I’m happy to report that I did just that!
I set out the spinning wheel in the living room and putted at it every few days while watching the new season of Queer eye. Bliss!
All in all, I was able to spin about 5-ish oz. I spun (and plied) a Manos del Uruguay pink and purple 100g merino roving into a cute chain plied sport weight yarn, very soft and springy.
I also started spinning a green 4 oz merino-silk roving from Ashland Bay, But since I’m only about a quarter of the way through I decided to keep the spinning wheel out and I’ll keep on working on it here and there throughout the summer, and hopefully have another handspun to show you this fall.
To stay in the spinning spirit, I also started working on a cowl using my Flamboyant Flamingo handspun yarn, made during the tour de fleece a good 5 years ago. I wasn’t sure at first how it was going to turn out since the yarn is a 2-ply barber pole and quite think and thin since I still was pretty new to spinning, but it’s actually turning out pretty well with the structure of this wonderful cowl pattern. I will give a more through review of the Lissome pattern once I’m done, but let’s just say that I am really (REALLY) loving this design from Susan Pandorf.
Guys, I’m so excited to show you the shawl I’ve been working on for almost 5 months now, it’s finally complete! Although it’s been a bit of a challenge, I’m so happy with the result!
Let me share a bit of a story to go along with this knit, because I think it deserves it. I’ve always been a huge fan of Melanie Berg, I love all of her designs and I’ve been eyeing Rheinlust since it first came out more than 2 years ago. To showcase the beautiful texture going on there, I wanted to use a solid or kettle dyed yarn to avoid any unnecessary visual distractions, so I opted for a couple skeins of the soft and beautiful (single-ply) Airy yarn from The Woolen Rabbit that I got at the Squam Art Fair in New Hampshire some 4 years back. It is a beautiful deep orange color, and mixed with the wavyness of the Rheinlust pattern, this shawl (to me!) looks like yummy gorgeous waves in a sea of orange crush pop! Don’t you guys feel the same?
Anyways, I started this shawl back in May as an airplane knit for my trip to Japan, but I quickly realized it wasn’t the smartest choice, as the pattern turned out to be a bit more challenging than I expected. I love lace patterns, but the way the waves kind of move along the knit got me really confused at first, and it took me a lot longer than usual to memorize the 22 row pattern repeat. Don’t get me wrong, the pattern is very clear and beautifully written, but my drowsy Dramamine brain had a lot of trouble juggling the yarn, the needle and the chart on the tiny plane tray intermittently taken over by food & drinks and a lot of other junk. Bottom line here, I frogged and started over this shawl 2 or 3 times before I got it somewhat right, and I made quite a few mistakes in the the first third of the shawl, but fortunately they seem to blend in quite well in the wavy pattern. The delicate single-ply yarn, however, didn’t appreciate all the frogging, confusion and messiness and broke in quite a few places in the first half.
Together, these two challenges made me realize that I probably should’ve thought things through a bit more, and chosen a more appropriate knit for the plane ride. An easier design with a simpler pattern repeat and a sturdier two or three ply yarn would certainly have been a wiser choice, but regardless of the knitting challenges faced during the trip, I am so happy that I made this shawl!! It is beautiful, soft and drapey, and every bit as amazing as I imagined it would be. I followed the pattern exactly, but repeated the main body 8 times instead of 9 to accommodate the smaller amount yarn I had available, all the details can be found on my project page as usual. And it worked out perfectly! I mean… Would you look at that beauty?
Either way, I shall learn from my mistakes and choose a more appropriate travel project the next time I go on a trip, which may come sooner rather than later.
See you again soon folks!
I’ve been back from Japan for about 10 days now, and I gotta tell you, I miss it so bad
Everything from the sights and the sounds, the food, the feel of the air, the atmosphere, the people; I think I really crushed hard on Japan during those two short weeks and now that I’m back it’s really hitting me in the feels! Nevertheless though, I’ve been pretty busy here, at work and at home, as I slowly readjust to my everyday life.
What I want to share with you all today is a little project that I couldn’t share with you before leaving for Japan, and that would be this little cute Camilla baby Blanket.
You see, one of my Japanese penpals, Eriko, is currently pregnant and since she was kind enough to spend two days showing me around Kyoto and Osaka, I wanted to bring her a little something special for her little-one-to-be. So a couple weeks before my trip, I started this cutie little blanket for her using the three skeins of Brown Sheep’s Cotton Fleece that I had on hand. Since I don’t know whether the baby is a boy or a girl, I figured a neutral blueish gray would be fine.
Since I’ve already bought the Camilla Pullover pattern in the past, I did not buy the actual Camilla Blanket pattern but instead used the instructions for the fan pattern from the pullover that I first converted to RS/WS instructions, repeated 4 times and added a garter stitch border on the top, bottom and edges.
The finished blanket is about stroller size, measuring about 30″X32″. Since I was using a Worsted weight yarn instead of Aran, I worked the blanket on 5 mm needles instead of the recommended 6.5 mm. I don’t work very often with needles over 4 mm, so I took advantage of this opportunity to try the Kollage square needle that I had received as a sample a couple years back but never got a chance to use. Although I was a bit skeptical at first, I must admit that I was actually quite pleased by the grip and the feel of those square needles, and it felt very natural to use. Actually, I enjoyed working with it so much I think I might seriously consider getting them in other sizes, or maybe even by the interchangeable set.
All the details, save for the actual fan motif, can be found on my project page so feel free to check it over if you’re interested.